Heart Stück Bernie (HSB) serves as a vein cave that pumps quirky-luscious dance, studio-lab education, and intimate audience performance art into desirous and unsuspecting environments. HSB places the emphasis on process, sensational strata, and the dynamic combustion of highbrow and lowbrow zeitgeist ingredients. A hand-made arts & crafts aesthetic exposes seams of meaning and making – always as a dialogue between teacher and student, performer and audience, you and me. Collaboration with musicians, visual artists, set designers, and costume designers.
My performance art is the swinging, side-by-side handhold of slapstick physicality with a noir shadow. I place rambunctious movement shoulder to shoulder with delicate phrasework. The movement is sewn at the pelvis to harmony. The dance is hinged on dissonance. The Performers and Audience are swept up in a world bigger and more deceiving than they realize. Audience and Performers alike encounter a stage full of literal and figurative knots as they find themselves in hot pursuit of a miniature-epic conundrum. Only their wits can save them. Only their wits can get them in trouble.
I have honed a quirky-luscious movement vocabulary that zigs and zags classical training with contemporary sensibilities. Tender to tense, the work flies through space with abandon, until it grounds itself. It explores conversational and emotive duet work, and it plays at unraveling causation in tight-knit group work. When the curtain rises, opens, or gets thrown aside with gamine intention, my work looks like a been-around-the-block broad – full of accumulated propositions and proposals. She’s been dressed up and stripped down, and she knows how to ask the hard questions.
One afternoon in 2005’s Berlin, my rehearsal booking went missing and the sun bragged about its rays through my kitchen window. Neither of those happenings aligned with the city’s fastidious organization or dedicated gray cover. But the circumstances, in addition to a wood floor and reflective-mirror like appliances, prompted my first avant-garde, site-specific dance happenings company right there in the kitchen. Ever since, I have created works in storage closets, balconies, living rooms, graveyards, rooftops, parking lots, bookstore aisles, burrito joints, and any kitchen window sill with the good view of a sun or crescent moon.
Heart Stück Bernie (HSB) is usually found performing in something like a stairwell, while pushing play on something like a boom box. Company members, otherwise known as my friends, are a ragtag group of partners in crime. I gets them to do things by promising chocolate. But their intense focus and dancing beauty far surpass any fleeting bite; I am honored to dance (and snack) among them.
HSB site-specific choreography has been presented in Berlin’s Tacheles and dida e.V. Raum für Kultur, Long Island City’s The Creek and the Cave, Brooklyn’s Bookcourt, The Rooftop of The Chelsea Hotel, the very dirty East River, Dance Omi, P.O.R.C.H., all up in, around, and under The Mayflower Square Apartment Complex in Alexandria, VA, the first annual On Site/In Sight: A Downtown Winston-Salem Dance Festival, The Kennedy Center, and Sidney Harman Hall. The company also presents proscenium work on stages and showcases including the Annual Choreographers’ Showcase, the Clarice Smith Performing Arts Center, Baltimore Theatre Project, Dance Loft on 14, and Dance Place.
HSB is a recipient of a 2009 Brooklyn Arts Council Regrant, Dance Metro DC’s 2015 Choreographer’s Commission, and the Kennedy Center’s 2016 Local Dance Commissioning Project. Recent and upcoming commissions and performances include work for The Collective, Joy of Motion’s Youth Dance Ensemble, the Inaugural DC Dance Summit, Dance Omi, VelocityDC, a site-specific performance at the US Botanical Gardens in March 2018, and a summer season at Dance Place in July 2018.